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Rise of The Crown Princess

Melody_Alyward
Seven years ago, the royal families of Helios and Anemoi were inseparable—until tragedy struck. After the death of Anemoi’s queen, Crown Princess Lyra Belle de Anemoi and her sister Astrid withdrew from public life, disappearing into obscurity. Now, their faces are forgotten, their presence a distant memory, and Lyra has refused to claim her rightful place as queen. When Dylan de Helios, the youngest prince of Helios, arrives in Anemoi on a diplomatic mission, he is determined to uncover the truth. Once close to Lyra, he longs to understand why she suddenly severed all ties, abandoning their cherished childhood bond. But as Dylan’s path intertwines with Lyra’s once more, long-buried secrets begin to surface. What happened during those lost years? Can Dylan and Lyra rebuild what was broken—or will their reunion spark something entirely unexpected? Step into a tale of loss, love, and the search for redemption in Rise of the Crown Princess.
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House Of Puppets

Arthur Moreau disappeared during a live broadcast. No warning. No transition. No last words. One moment he was finishing a world event in front of fifty thousand viewers. The next, he was gone, and what arrived somewhere else was Gepetto: his character, his creation, the most feared Marionettist ever built in a game where power was the only language that mattered. The world that caught him is not new to collapse. Gods have existed here, and some of them have died. What stands now is only the latest arrangement of a cycle that never needed him. Elysion is a Republic in the way that a cracked foundation is still a building. The institutions function. The titles exist. But beneath the gas lamps and the steam columns and the elevated rails connecting district to district, the actual structure is simpler: those with enough power do what they want, and everyone else absorbs the cost. The working class breathes chemical residue and calls it employment. The middle class negotiates in a market that has stopped rewarding negotiation, trains for credentials that no longer open doors, and moves forward because stopping is worse. There is no king here. There are only people with enough accumulated weight to act as though the question of permission does not apply to them. The Church of the Solar God holds the whole thing together, which is not a metaphor. A population that does not share language, origin, or history requires something to organize around, and the Church understood this long before anyone thought to ask. The Solar God is not a symbol. He walks. He acts. He has reasons of his own. And now, Players have begun to appear. Not as heroes. Not as chosen figures. As variables carrying power without understanding the system they have entered. The world does not pause for them. It absorbs them, bends around them, and continues. Gepetto does not try to fight it. He studies it. While others assert themselves through force, faith, or the assumption that visibility equals strength, he builds something quieter. Not an army. Not a faction. A structure: distributed, patient, invisible until it is not. A web that does not need to be seen to function. The skills are real now. The strings are real. And what they touch does not reset. House of Puppets is a story about control, belief, and the cost of acting in a world indifferent to your intentions. It follows a man who does not seek to win, but to understand the rules well enough that losing becomes unlikely. Because the puppeteer pulls the strings. But in a world this old, someone is always watching. A word from the author: House of Puppets is built closer to a novel than a webnovel: each chapter accumulates, each arc tightens, and the end of every Volume is the destination of everything that came before it. The structure rewards patience. Tension builds and does not release until it is meant to. The ambition is simple to say and hard to earn: one day, a place among the works that defined what this genre can be. Lord of Mysteries, Reverend Insanity, ORV, Shadow Slave. I cannot promise we get there. I can promise I will give everything trying.
MisterElegance · 59.9k Views

Wolf Princess Sold to the Dragon King

"Take me instead." Three words. Guinevere Lunaris trades herself and saves 300 lives. Tied. Gagged. Underestimated by a mile. They chain her to a tree in the snow. Mistake. While running for her life, she meets a stranger in the dark and tells him to hide so he isn’t killed. Twelve hours later, he walks into her father's hall wearing a crown. The man she just told to hide in a hole is Maddox Drakencrest, High King of Velkaris. Ruler of an entire continent. Maddox hears his dragon say ‘mate’ right away. But her wolf is silent. More and more Alpha Kings enter the hall. She catches the tail end of her father’s toast and chokes on her wine. "—leave here with a virgin bride." An auction for her hand turns into a full-out bidding war. Maddox wins. 750 million in gold, three dragon fleets, and an urn full of the bastard who chained her the day before. Every force in Velkaris is betting against a wolf on a dragon throne. The Elders say the queen must be a dragon rider, which is impossible for a woman without dragon blood. The king's half-brother agrees with them, but his solution is a civil war and taking the crown for himself. If his brother’s rebellion wins, Maddox dies and she belongs to him. If the elders win, she goes back to the father who sold her. Neither is happening. Her wolf calls Velkaris home. She's not giving it up. They expect Guinevere to behave like a good little wolf princess and play along with their political games. She says bet.
TheLoneQuill · 164.1k Views