- I suppose the chakra threads are attached to these seals, which makes it easier to control the puppet, but it has to be the creator's chakra, not any other person's," I shrugged, scratching thoughtfully at the fuin on the metal, "though we can try to solve that problem.
Like any other seal, this one uses the creator's chakra for its work and matches it when access is granted. For all other masters of fuinjutsu, this is quite an effective and reliable precaution against tampering with their seals, except that Uzumaki, being a leader in this area, has learned how to circumvent such a condition in some cases.
Taking a brush and ink, I began to carefully apply a complex ligature of hieroglyphs and symbols around someone else's work, rejoicing to myself that it was not in an activated state and, consequently, much more vulnerable to "hacking".
Luckily, the students were well aware of the need to keep quiet and not distract from the work, so I finished quite quickly and putting my fingers on the control circuit, began to pump chakra.
The result was immediate - my fuin was filled with light and began to crawl over the symbols, gradually merging with them. The whole process took no more than thirty seconds and was quite voracious, but I achieved my goal - the alien chakra was completely squeezed out and replaced by my own without damaging the original seal.
- Did it work? - Hoshi, who was watching the whole process carefully, couldn't stand it.
- I released a thread of chakra from my finger and directed the converted fuin.
This time, it came to life and began to spread symbols all over the frame of the lizard's tail, holding the connection, and I felt myself beginning to vaguely feel the limb of the puppet and to some extent I could control it.
Obeying my will, the blade extended and retracted, and the segments began to bend. But what interested me more was not the ability to control the puppet's part, which was quite bad despite all the control I had, but the seal itself, which made it possible. In its unfolded state, I began to understand some of its elements and even had a rough idea of what some parts were responsible for.
Despite the somewhat primitive execution, it's a pretty original idea. I'm not sure I can replicate it without detailed deciphering and research, but I have to admit that the masters of Suna can do some things. There is a noticeable lack of fundamental knowledge, which is compensated by unexpected solutions.
When I have free time, I can even try to make my own variation of the seal of control, but in essence, without many years of control and management skills, it's all a dabble and a person who is not familiar with Fuinjutsu, will not be useful. That's how I explained it to my students.
- It's still interesting," Asani shook her head, "and where else would we learn the principles of such puppets?
- I don't understand how you can control six seals with only five fingers on your hand, and the same millipede has more segments and legs than a lizard," I muttered to myself as I continued to study the symbol-covered tail. "There must be some resonance between them, but I don't see what part of the seal is responsible for that, maybe it's the resonance effect of all the seals.
- What if this guy was able to release more than one strand of chakra from his finger? - Hoshi suddenly suggested. - Then, controlling even a millipede would be quite possible.
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