The background in the photo is the square in front of the town's Great Cathedral.
On the left edge of the frame, you can vaguely see the faceless Great Statue of the Holy Mother.
At the center of the frame is a charred corpse.
The pose of the corpse is bizarre, kneeling on the ground, both hands tearing open the chest, desperately pulling it apart, as if trying to lay the entire body bare, telling the audience around, not to just look at the outside of a person, but also to look deeper within.
But inside the torn-open chest, all the organs have vanished, replaced by charcoal filling the entire cavity, still smoldering with embers.
From his posture, Wu Chang has a premonition that the deceased shoved the burning coals into their own chest.
The deceased's resentment is located at the face of the Great Statue of the Holy Mother, like streaks of bloody tears.
As Wu Chang stared, the resentment resembling bloody tears unfolded, revealing the scene depicted in the resentment.
