To Serrano, this is simply what he has come to understand from the new concepts he recently adopted: keep the legs alive, keep changing angles, never stay in front of the opponent longer than necessary, and always find a new angle after striking.
He likes that philosophy. Not only because it works, but because it allows him to express himself. The constant shuffling, the footwork, the rhythm flowing through his body. It all feels natural to someone who treats fighting as entertainment as much as competition.
And indeed, Serrano continues entertaining the crowd while comfortably maintaining control of the fight over the next two rounds.
Then, by the middle of the fourth round, Serrano looks even more energized. He breaks into a more exaggerated shuffle, his feet bouncing and gliding across the canvas as though he were moving to a song only he could hear inside a crowded pub.
