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He Wrote Her Where He Could Not Reach

John_Casterline
35
chs / week
The average realized release rate over the past 30 days is 35 chs / week.
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Synopsis
*He Wrote Her Where He Could Not Reach* is a dark, lyrical medieval novel about a boy who survives life only by turning it into ink. Born from the dead body of a woman he will never know, the boy enters the world unloved, unnamed, and unwanted. Taken in by a broken household more out of obligation than mercy, he grows amid constant conflict—raised by guardians who fight endlessly, speak cruelly, and offer discipline without warmth. From his earliest years, silence becomes his refuge, and observation his first language. Exceptionally gifted yet impossibly gentle, the boy learns to draw beauty where none is given, to cook warmth into empty meals, to sing to rooms that do not listen, and to write because words are the only place that never abandons him. He never grows angry. He absorbs pain quietly, letting it root deep inside him. At eleven, he discovers love for the first time—a tender, innocent bond with a girl whose presence makes the world briefly survivable. Their affection is pure, untouched, and secret. But when his guardians discover the relationship, they weaponize the truth of his birth against him, telling him he was born of a corpse and threatening the girl’s life. Terrified, confused, and still a child, the boy destroys his own happiness in a single sentence spoken in cruelty he does not feel. The girl leaves, hating him, and vanishes forever. Only afterward does he learn it was all a lie. Something in him breaks without sound. What follows is a slow descent into solitude. He spends his days outside the home that never felt like one—wandering forests, gazing at stars, speaking to the cosmos as though it might answer. Writing becomes compulsive. He writes to survive, to remember, to keep himself from disappearing. A second love arrives briefly, overwhelming him with affection and promise—only to betray him completely. This wound cuts deeper, not because it is worse, but because he believed, for a moment, that fate might be kind. And then there is *her*. The third girl—the one he never meets. She lives far away, in another place, perhaps another destiny. He knows her only through imagination and longing. She becomes the center of his feverish writing: a girl with glasses and gentle eyes, soft lips and a stunning nose, wavy shining hair and a quiet habit of comforting everyone except herself. She loves books and ladybugs, princesses and food, and her black dog whom she loves more than anything. She is everything warm in a world that has been cold. The novel follows the boy’s entire life as he writes her into existence—chapter after chapter, year after year—believing that if he writes long enough, purely enough, fate will eventually have no choice but to listen. He never meets her within the pages. He never stops writing. The book ends mid-sentence, because his story does not conclude—only continues, endlessly reaching. Set in a medieval world steeped in candlelight, ink, and golden-brown melancholy, this is a story about trauma without cruelty, love without possession, and devotion without reward. It is about a boy who survives not by being saved, but by *believing*. A testament to the idea that sometimes, the greatest love of a lifetime is the one that exists only in words—and that writing itself can be an act of eternal hope.
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Chapter 1 - Chapter 1

The bell rang before dawn.

It was not meant to.

The infirmary bell was reserved for endings—last breaths, final rites, the soft summons of a priest who already knew he would arrive too late. It was not rung for beginnings. Never for beginnings.

Yet that morning, while the sky was still the color of old parchment and the town slept folded into itself, the bell was pulled with trembling hands.

Inside the stone infirmary, the air was thick with iron and boiled herbs. Candles guttered in their holders, their flames bending as if they, too, wished to look away. A woman lay on the narrow bed, her body slack, her mouth slightly open, her eyes already losing their argument with the world.

She was dead.

Everyone in the room knew it.

The midwife had stopped counting breaths. The physician had pressed two fingers to a wrist that no longer answered. Someone crossed themselves. Someone whispered a prayer that sounded more like an apology than faith.

"She is gone," the physician said quietly, as if speaking too loudly might offend death.

The woman's body was still warm. That made it worse.

They were preparing to cover her when the sound came.

A thin cry. Broken. Furious. Alive.

For a moment, no one moved.

The sound came again—stronger this time, insistent, almost accusing. The midwife froze, her hands hovering above the linen. The physician turned back slowly, as though afraid the body might open its eyes and speak.

But it did not.

The cry came from below the stillness, from the ruin itself.

The child had been born after her death.

He lay slick with blood and grief, his fists clenched, his lungs working furiously against a world that had already refused him once.

The midwives stared.

One of them whispered, "God has taken the mother."

Another, older and less gentle, replied, "Then why leave the child?"

No one answered.

No one reached for him.

For a long moment, the boy lay alone on the table, his cries echoing softly off stone walls that had heard thousands like him and forgotten them all. His voice did not soften. It did not weaken. It fought.

Finally, the physician wrapped him in cloth—not tenderly, not cruelly, just enough to stop the bleeding from showing. He looked at the child with an expression that held neither love nor disgust, only fatigue.

"This is trouble," he murmured.

Outside the infirmary, the bell continued to ring, slow and wrong, calling a town to witness a death it could not understand.

In the adjacent chamber, separated by nothing but a thin wall and indifference, a man and a woman were arguing.

"Winter is coming," the man hissed. "We barely have grain for ourselves."

"And what would you have me do?" the woman snapped. "Pray harder?"

Their voices were sharp, worn thin by years of hunger and disappointment. The physician entered quietly and waited until they noticed him.

"There is a child," he said.

They stared at him.

"A living one," he added, as if that were a necessary clarification.

The woman frowned. "Whose?"

"No one's."

That was when the argument truly began.

They spoke of debt. Of mouths to feed. Of God's punishment and God's silence. They spoke of how unfair the world had already been to them, and how much worse it might become if they invited more misfortune inside their walls.

The physician listened, unmoved.

"He will not survive long without a home," he said finally. "And God does not look kindly on those who turn away life."

That did it.

They feared God more than hunger. More than ruin. More than themselves.

They agreed.

When the woman took the child into her arms, she did not smile. Her grip was careful, distant, as if holding something fragile and vaguely dangerous. The boy quieted then, his cries tapering into soft, uneven breaths.

Outside, the bell stopped.

The woman who had died was covered and forgotten. The boy was carried out into the cold morning air, past fields heavy with dew and houses that would never know his name.

He did not look back.

There was nothing to look back at.

And so the boy entered the world not with a blessing, not with love, but with a bell rung too early—and a silence that would follow him for the rest of his life.