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Chapter 7 - THE UNDERWORLD REVEALED

Vivienne's POV

 

I hit his door with both hands.

It swung open before I could knock — like he'd been expecting me, like he'd known I would come running back, like everything was already calculated including this.

Dante stood at his desk, jacket off, sleeves rolled to his elbows, looking at his phone. He glanced up when I burst in, and his expression didn't change. Not surprise. Not guilt.

Nothing.

"Mr. Huang is dead," I said.

"Yes."

I crossed the room in five steps and shoved my phone into his face, the news article bright on the screen. "He was on the board. He voted against me. That's why you killed him — because he raised his hand in that meeting—"

"He watched," Dante said simply. "He sat three seats from you and listened to Delilah call you a whore and stared at the floor."

"That's not a crime—"

"It is in my world."

"There are eleven other people in that boardroom," I said, my voice shaking. "Eleven people who raised their hands. Are you going to kill all of them? Is that your plan? Because Dante, that's — you can't—"

"Vivienne." His voice was calm as still water. "Breathe."

"Don't tell me to breathe—"

"The others are being handled differently," he said. "Financially. Professionally. Huang was a special case." His jaw tightened. "He knew you as a child. He had no excuse."

I stared at him.

He meant it as a distinction. Like there was a moral system operating here that I simply didn't understand yet. Like this all made perfect sense if I would just stand still long enough to see it.

"Show me," I said suddenly.

Dante looked at me. "What?"

"Everything." I held his gaze. "You said tomorrow. I'm saying now. Show me who you are. Show me what this is. Because right now I am standing in a house full of lies and a city full of bodies and I cannot breathe in here without knowing the full truth."

Something moved across his face. Consideration. Then respect.

"Follow me," he said.

He led me through a door I had walked past a hundred times — a panel in the wall of his study that looked like shelving and was not. Behind it was a corridor, clean and lit, leading deeper into the estate's bones.

His real office was at the end of it.

I stepped inside and stopped.

Monitors covered one entire wall — twelve screens running simultaneously. Live feeds. I recognized the Ashford Holdings lobby. The street outside Aria's gallery. The parking lot of the building where Helena lived. The front gate of this very estate, showing my empty car still parked at an angle from where I'd abandoned it tonight.

He had eyes on everything.

Maps covered another wall, covered in marks and lines and photographs of buildings I recognized as warehouses, docks, office blocks. Names I'd seen in the news. Names I hadn't.

I turned slowly, taking it all in.

And then I saw it.

A section of the wall to my left. Separate from everything else. Printed photographs pinned in careful rows, spanning what looked like years based on the changing seasons in the backgrounds.

Me.

Vivienne leaving Ashford Holdings in the rain, hood up, head down. Vivienne sitting outside a café with Aria, laughing at something. Vivienne in the estate garden, alone, reading. Vivienne at the waterfront — tonight, from a distance, sitting in my car in the dark.

Hundreds of photographs.

"You've been stalking me," I whispered.

"Protecting you," Dante said, from directly behind me. Close enough that I felt the words more than heard them.

"That is the same—"

"Three times." He moved to stand beside me, looking at the wall. Not with pride. With something heavier. "Year one — a man tried to access your financials. He was planning to use you to get to the Hawthorne accounts. I found out in forty-eight hours. He disappeared." He pointed to a photo I hadn't noticed — a man I didn't recognize. "Year three — Caruso's men photographed you leaving Ashford Holdings for two weeks straight. They were building a dossier. I burned it and sent them a message they didn't forget." He paused. "Year four — someone tried to put something in your coffee at the café you visit every Thursday."

I turned to look at him. "What?"

"The barista who served you that week quit unexpectedly the following Monday," Dante said. "He had a very good reason."

My hand came up to my mouth.

Every Thursday for four years I had ordered the same coffee from the same café and I had never once known.

"You were never safe," Dante said quietly. "Not from the moment you became Vivienne Hawthorne. My enemies couldn't find me, so they looked for leverage. You were always the most obvious target." His eyes stayed on the photographs. "I wasn't going to let them touch you."

I didn't have words. I stood there looking at five years of my own life pinned to a wall, evidence of a protection I had never felt and never known I needed, and I didn't know whether to be furious or undone.

"There's more," Dante said.

He crossed to the far corner of the room where a panel on the floor lifted to reveal a platform. An elevator. Going down.

"You wanted the truth," he said. "This is it."

The elevator descended for longer than made sense. When the doors opened, the scale of what I saw made me step backward.

The basement was enormous. Larger than the entire ground floor of the estate. People sat at long rows of computers, speaking in low voices, monitoring screens that showed data and maps and communications I couldn't begin to read. Armed men moved between stations with quiet efficiency. Everything was clean, organized, running like a machine that had been running for a very long time.

Every single person stopped when Dante walked in.

The silence was immediate and absolute. Not the silence of surprise. The silence of soldiers when their general enters the room.

"Boss." A man appeared — late thirties, sharp eyes, the kind of face that had seen things and decided not to feel them anymore. He looked at me, and shock cracked through his professional expression before he locked it back down. "We weren't expecting—"

"Matteo," Dante said. "My wife."

Matteo stared at me like I had descended from the ceiling. "Mrs. Hawthorne." He extended his hand. "It's good to meet you. Properly."

I shook it automatically. "You know who I am."

"I've been updating your husband on your safety every day for five years," Matteo said carefully. "So yes."

I looked at Dante.

He didn't look away.

Dante walked me through it all. The surveillance operation. The network of contacts. The financial structures that moved money through legitimate business fronts. The territory maps and the enforcement system and the chain of command that ran this city's underworld from a basement beneath a house everyone thought belonged to a dying man.

He showed me everything. Nothing softened, nothing hidden. He gave me the truth the way he did everything else — completely, without apology.

When we were standing in the center of the command floor, surrounded by his empire, he turned to me.

"This is who I am," Dante said. "I control this city. I have for ten years. I've killed people and I've protected people and I've made decisions that couldn't be made by anyone who wasn't willing to be the monster." His eyes stayed on mine. "And I've been in love with you since the day you signed that contract."

The room felt enormous and very small at the same time.

"Don't," I said. My voice barely worked.

"It's the truth."

"You don't know what love is," I said. "You surveilled me. You controlled my environment. You eliminated threats without telling me I was in danger. That's not love, Dante, that's — that's ownership—"

"You're right," he said.

I stopped.

"That's what I knew how to do," Dante continued, something raw breaking the surface of his voice. "Control things. Protect things. Eliminate threats. I didn't know what else love looked like. I still don't — not completely." He stepped closer. "But I know that I have not slept properly on any night when my men couldn't confirm you were safe. I know that watching you suffer in that boardroom today was the closest I have ever come to losing control of myself in ten years." He stopped in front of me. "I know that you are the only person alive who I would show this room to."

The silence between us was enormous.

"I didn't know what love was," Dante said. "Until you."

I looked at this man — this dangerous, broken, impossible man — and felt the ground shift beneath everything I thought I'd decided.

Then Matteo appeared at the edge of my vision, his face tight with something urgent.

"Boss." His voice was low. "We have a problem."

Dante's eyes didn't leave my face. "What kind?"

Matteo glanced at me. Then back at Dante.

"The kind," Matteo said carefully, "that involves Mrs. Hawthorne's stepmother."

My blood went cold.

"Helena?" I said. "What did she do?"

Matteo pressed his lips together.

"She made a phone call tonight," he said. "About an hour ago. To Vincent Caruso."

The name meant nothing to me.

But the look on Dante's face told me it meant everything.

Every trace of warmth drained out of him in one second — and what was left was the Ghost. Nothing but cold, absolute, lethal stillness.

"What did she offer him?" Dante asked.

Matteo's eyes moved to me one more time. Like an apology.

"She offered him Vivienne," he said.

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