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Chapter 2 - Istanbul.

Istanbul was a city that had been standing long enough to stop caring what you thought of it.

It did not present itself. It did not perform. It simply occupied its seven hills the way something occupies a position after long enough; completely, without effort, with the specific weight of a thing that has outlasted every opinion ever formed about it and intends to outlast several more. The Bosphorus ran through the middle of it with the indifference of a river that has seen every empire that has ever decided it was important, and the city rose up on both banks in a density of rooftops and minarets and the cruder architecture of the last fifty years, all of it pressed together with the intimacy of people in a crowd who have been standing close for so long that they have stopped noticing.

Eden came through arrivals and stood on the pavement outside and took a breath and the city entered him; salt and bread and diesel and something older than any of those, something that had been in the ground here since before anyone had thought to build on it. He had never been to Istanbul. He knew the smell anyway, the way he knew things he should not know, which was completely and without any mechanism he could point to.

He thought: okay.

He thought: we are here, this is happening, proceed.

His phone said 9:14 AM. His body said it was some other time entirely, possibly a time that did not exist on any clock currently in production.

He found the bus. He paid the fare with coins he had to count out slowly while the driver watched him with the patience of a man who had waited for many tourists and had achieved a kind of enlightenment about it. He put the bag on his lap and the shoebox on the bag and watched Istanbul arrive through the glass as the bus moved through it.

He thought: Odysseus spent ten years trying to get home. I am spending one week trying to find a woman my hands have been writing about for seven months. Comparatively I am managing this extremely well.

He thought: Odysseus also got his crew turned into pigs. Manage expectations.

The bus moved deeper into the city and the city received it without interest, the streets narrowing and widening with the organic logic of something that had grown rather than been planned, each district leaning against the next like the medieval houses he had read about, each one half over its neighbor, holding each other up through the sheer accumulated pressure of centuries of adjacency.

The accommodation was a room above a fish market.

He stood outside it for a moment and looked up at the window and thought: of course it is.

The dock work started at six in the morning and finished at two in the afternoon. It was the category of labor Eden was most suited to; his body knew how to be useful without requiring anything from the part of him that was occupied with other things, and he moved crates and loaded manifests and learned the geography of the dock in the way you learned a space that expected regular presence from you, which was without intention, by simple accumulation of hours. Tariq, the foreman, was a broad man who communicated through a compact system of expressions and gestures that Eden had decoded by nine AM on the first morning. By the end of the first day Tariq had stopped watching him. By the end of the second he had been given the better section of the dock, which was a windless pocket between two warehouse walls where the work was harder but the chill came off the water instead of straight off the open strait.

He took this as high praise and behaved accordingly.

The other four dock workers had an existing architecture among themselves, built from years of the same hours in the same place, the kind of familiarity that had long since passed through friendship and arrived at something more like weather; present, reliable, occasionally inconvenient. Two of them were related, which was immediately apparent from the register of their arguments; the specific fluency of people who have been running the same disagreement for so long that the words had become almost incidental and the argument continued now entirely through tone and posture. The youngest one was completing his military service in some administrative capacity and had strong opinions about the paperwork, which he conveyed at length during lunch with the conviction of a man who had been wronged by a system and had not yet reached the stage of making peace with it.

Eden nodded at the correct intervals. The nod that said I follow the emotional content without claiming to follow the language. He had developed it during a three-week stint in Lisbon two years ago and it had not failed him since.

The fourth one, Emre, spoke some English and had the weathered equanimity of a man who had been working outdoors his entire life and had decided the outdoors was fine. He brought his lunch in a container that always smelled extraordinary and never offered any of it, which Eden found philosophically consistent and admirable.

On the third morning Emre looked at the shoebox, which Eden had placed against the warehouse wall because the room above the fish market had been, on consideration, a space he did not want to leave the shoebox in. The fish market was loud from five in the morning and had the smell of something that had been dead recently and had opinions about it, and the room above it had thin walls and a window that looked into the stairwell and a lock that suggested the concept of security rather than the practice of it. He had taken the shoebox with him. It lived on the dock now. He brought it every day. He had not thought about this too carefully.

Emre looked at the shoebox for a moment. He looked at Eden.

Eden looked at the shoebox. He looked at Emre.

"Papers," he said. "Old papers."

Emre received this. His expression said he had understood the words and found them insufficient as a complete account of the situation, which they were, and which Eden acknowledged internally while having nothing better to offer.

They went back to work.

The newspaper stood him up for three days.

He had the photograph. He had the three paragraphs, a regional daily, a name and an edition date in the header. The paper had a website, which loaded correctly and had a search function, and the search function returned nothing. He had expected this; he had not expected to feel the specific quality of wrongness that came with it, which was less like searching for something and not finding it and more like putting your hand out for a wall that should be there and finding the air carrying no memory of it.

He went to a library on the second afternoon, because physical archives were physical, because paper existed in space and could not simply be removed from a database and become retroactively absent, because this was a thing he told himself with the determination of a man arguing against his own better instincts.

The librarian looked up the edition. It existed in the catalogue. She went to the shelf to retrieve it and came back after a few minutes with the expression of a person delivering a result that the evidence did not support.

The shelf had a gap. Exactly the right size for one edition of a regional daily.

"It must have been misfiled," she said.

"Yes," Eden said. "That must be it."

He stood at the archive desk and looked at the gap on the shelf from across the room. The gap was precise; not a general looseness in the organization of the shelf, not the natural drift of a row that had been improperly maintained, but a clean and specific absence in an otherwise complete run, as though someone had removed a tooth from a jaw and the jaw had closed around it with no memory of what had been there.

He took a photograph of the gap. He did not decide to. His hand had the phone out and the photograph taken before the decision had been formed, which was how his hands operated, which he had stopped finding remarkable approximately three and a half years ago.

He thanked the librarian. He walked back out into the Istanbul afternoon, where the city continued its long indifference to all developments, and stood on the pavement for a moment breathing the salt and diesel and the older thing underneath and thought: someone removed one edition of a regional newspaper from the physical archive of the Istanbul city library. Manually. Someone was here. Someone looked at the gap that would be left and decided to leave it.

He thought: and also removed it from the online archive, which has no physical component, which requires access to a system rather than a building, which means whoever did this had access to both and did both simultaneously or in immediate sequence and considered neither one difficult.

He thought: and also adjusted every cached version and search index and wayback machine entry, because he had checked those too and the article had not been there, which was the kind of thoroughness that did not come from individual effort and came from something else, something with more reach than a person, something that maintained the world the way a house is maintained; quietly, continuously, by something that lives in it and considers the maintenance its own business.

He stood on the pavement for another moment.

He thought: I am going to need to be more careful about what I photograph.

He put his phone in his jacket pocket, next to the original photograph, and went back to the dock.

He found her on the fourth day, which was not how he would have described finding someone if asked prior to that afternoon; finding implied a search, implied a direction, implied some method of navigation between a start point and a result. What actually happened was that his feet slowed down outside a coffee shop on Istiklal and he stopped and stood on the pavement and looked at it, which was what his feet had been doing every time he walked past it, and which he had been overriding for three days, and which he decided on the fourth day to stop overriding on the grounds that the system of not-following things had a documented failure rate.

He sat at the outside table because the inside was full. The city moved around him; Istiklal in the mid-morning, the pedestrian street thick with the movement of a place that had been a thoroughfare for long enough that the movement had become geological, each wave of people depositing something and retreating, the street itself carrying the residue of every century it had been walked through like silt.

The woman at the next table was working on a laptop. A map of Istanbul on the screen, dense with data points that he could not read from the angle but could see the shape of; clusters in some districts, isolated marks in others, the whole thing overlaid with a grid that was not quite the city's actual geography and was different from it in ways that were, he could see even from where he was sitting, not random.

She looked up. The way you looked up when you had been staring at a screen until the screen had started to become abstract and your eyes needed the reminder of physical distance. She looked up and looked directly at him and he thought: oh.

Not a thought with any architecture to it. Just: oh. The specific and structureless oh of a person whose body has understood something before the rest of them have been briefed; not her face, he had not seen her face, he was certain he had not seen her face, and was certain of this in the same way he was certain of all the things he had no right to be certain of, which was completely, without reference to anything that would hold up under questioning. Not her face. The quality of her. The specific presence of her at the next table, which was the same quality he had been writing about for seven months and which was, now that it was two feet away, immediately and entirely legible.

She was looking at him with the expression of someone who has just put their hand out for a wall and found it.

He said hello.

She said hello back.

Then they were talking, which was the least dramatic version of this moment and somehow the only version that made sense, because the things you had been moving toward without knowing it did not arrive with ceremony. They arrived, and they were immediately there, and the space before them took on the quality of something that had only ever been waiting.

Her name was Beatrice. She had been in Istanbul for eighteen months. She was working freelance, mapping anomalies in the city's data infrastructure; traffic patterns that contradicted their own timestamps, buildings that existed in planning documents and not on satellite imaging, demographic records with a consistency that read less like accuracy and more like fabrication. She described her work with the focus of someone who had been following a thread for two years and had learned to present it in terms that sounded technical rather than whatever the honest terms were.

He looked at the map on her screen.

He thought: she maps the wrong borders because the borders are wrong and they are wrong because the city is a layer of a poem and the poem has been revised so many times that the borders no longer match the original draft and she has been finding the discrepancies with the precision of someone who has always known, in the part of themselves below language, that the world does not quite match the description of itself.

He did not say this. He had enough self-awareness to understand that this was not the second sentence of any conversation he had ever had or expected to have.

He asked her about the anomalies.

She told him. He listened. Not with the performance of listening, not the nod, not the calibrated attention of a man waiting for his turn; actual listening, the kind that required nothing from him because the thing being said was already legible, already known, the words arriving with the specific quality of information confirming something he had been carrying without being able to name. The Deja Vu ran its background hum under everything. The city moved around them and paid them no attention and the coffee was good and the morning light came off the Bosphorus a few streets over in the way he had always known it came, gold and specific and exactly itself.

He had a photograph of a dead woman in his jacket pocket. The dead woman had died in the exact way this woman was scripted to die.

He knew this the way he knew the light. He had no mechanism for it. He was, nonetheless, certain.

He did not tell her this today. What he told her was that the anomalies she was finding sounded significant, which was the truest thing he could say at the current stage of the conversation, and which she received with the expression of someone who had been told their work was interesting by many people, but not often by people who looked like they genuinely understood what they were being told was significant.

They talked for two hours. He did not experience the restlessness that usually preceded his departure from conversations. He noticed this and filed it and did not examine it further.

When she closed the laptop she looked at him and said something and they agreed, in the way people agree when both already know the answer, to meet here tomorrow.

He walked back through the city in the early afternoon, the light off the water doing what light off water did in Istanbul at this hour, which was something he would not be able to describe to anyone else but which he felt the specific satisfaction of, the satisfaction of a man returning to a place that was already, inexplicably, familiar. The fish market below his room was in full operation, the smell of it rising through the thin floor. He sat on the bed with the shoebox open in his lap and looked at forty-odd scraps of paper and the crossed-out sentence at the top of the most recent one.

She maps the wrong borders.

He thought: she does. She has been mapping them for two years with the documentation of someone who understood early that the only way to make an unreasonable claim legible is to be so thoroughly evidenced that the evidence becomes harder to dismiss than the claim.

He thought: she is going to be very well prepared for the unreasonable thing I have to tell her.

He thought: I still don't know how to open that conversation.

He put the shoebox under the bed and lay back and looked at the ceiling of the room above the fish market and listened to Istanbul settle into the afternoon, the sound of the city adjusting itself slightly, the way something very old and very large adjusts, with the slowness of a thing that knows it has time.

His hands were still.

He thought: either that is a good sign or it is the thing that happens right before something very large and very loud takes the silence's place.

He was right on both counts.

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