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Chapter 5 - Chapter Five – The Mask of Men

Christy's heels stitched a bright line across the corridor. "I'll warm up the car," she said, breath sweet with mint and certainty. Her fingers skimmed Miles's sleeve—possession disguised as encouragement—and then she was gone, swallowed by glass doors that breathed her perfume back into the hall.

 

The elevator dinged. Neither man stepped in.

 

They stood in fluorescent quiet: vending machines humming, lemon disinfectant whispering from a janitor's cart, a far monitor chirping its steady, clinical pulse.

 

"You blindsided me," Zane said.

 

Miles kept his eyes on the closed elevator doors, his reflection a neat, professional ghost. "Morning to you, too."

 

"Don't." Zane's voice stayed low. "You pointed at me and built a life out of air. In front of her."

 

Miles turned finally. He wore composure like a tailored coat. "She said she couldn't remember. The doctor warned us there might be gaps. I thought—"

 

"You thought you could repave the road while she was still bleeding on it." Zane's stare didn't waver. "Don't call that care."

 

A nurse slipped between them to the coffee machine, murmuring a soft apology neither man acknowledged. Paper cup. Button. The hiss of brown heat. Life insisted on its practicalities.

 

"We did end it," Miles said, quieter. "Just not… cleanly. I never told her outright. I thought she understood. We were already drifting, and I let it drift because saying it plain would've broken her."

 

"It would've made it honest," Zane said.

Miles's lips tightened. "Honesty doesn't always fix things."

"It's the only thing that doesn't rot," Zane said.

 

They stood in silence. Machines hummed like indifferent witnesses. Zane could feel his friend's desperation—a tangle of guilt, fear, and the hope that time would do his work for him.

 

They had always fit like opposites solved: diplomat and straight edge, charm and ballast, soft power and the rule that made it real. At twenty, they had pulled all-nighters on the same library table, finishing each other's proofs and arguing ethics of the hypothetical. At thirty-five, the hypotheticals had turned into people.

 

"Say it plain," Zane continued. "You cheated. You wanted out. You found a way to make the exit look orderly."

 

Miles didn't flinch. He'd trained his face for worse rooms. "I didn't want to humiliate her."

 

"You did something cheaper," Zane said. "You humiliated the truth."

 

A transport tech pushed a bed past; an elderly man rode it like a raft, eyes half-lidded, mouth slack with sedation. The bed sighed against its frame. For a moment they shared a frame—suffering, motion, commentary—then the corridor swallowed the scene and normalized itself.

 

Miles spoke into the returning quiet. "You nodded."

 

Zane's mouth tightened. "You boxed me. I chose the least bad corner."

"So you understand," Miles said, relieved to find a handhold.

"I understand choices under pressure," Zane said. "Don't mistake that for agreement."

 

They let a full elevator open and close on air. Far down the hall a child laughed, then coughed until the laugh became a sigh. Hospitals made emotion efficient; they cut the fat from feeling.

 

Miles's voice softened. "You've never liked her."

 

Zane blinked once. Not recoil—more recalculation. "I told you, you weren't good enough for her. That's not the same sentence."

 

Miles studied him, something sharp flickering beneath polish. "Do you want me to blow this up?"

"No," Zane said. "I want you to stop performing decency and try the act itself."

 

The elevator chimed again, impatient at being ignored. The men didn't move.

 

They stood, two silhouettes the same height casting different edges in the brushed steel. Miles had the posture of a man who made rooms believe. Zane had the stillness of a man who made rooms tell the truth.

 

"You know why I asked you to back me," Miles said. Not quite a question.

 

"Because my word carries," Zane said. "Because when I say no, it stays said. You wanted my gravity. You used my name to weigh your lie."

 

Miles's throat moved. "I won't do it again."

"You won't," Zane echoed, and the absence of threat gave it force.

 

Silence stretched until it meant more than quiet. Zane felt it move inside him, a subtle tilt of ground he'd pretended was solid. He hated what Miles had done. He hated that his own mouth had helped. Most of all he hated that a narrow, uninvited part of him wanted the door that lie had opened.

 

He saw Willow's face as she'd looked at him: not pleading, not accusing—measuring. He'd told himself for a year the heat in his chest when she entered a room was contempt. It had made his advice easier: dump her, she's not for you. It had also kept him alive. Admitting the truer, more disloyal word would've burned everything he thought of himself.

 

Miles mistook the stillness for moral elevation—he always had. "I'll fix it," he said quickly, as if speed could be sincerity. "I'll apologize. I'll—" then like a petulant adolescent, "She won't believe me."

 

"She will hear you," Zane said. "That's the point."

 

Miles nodded once, assigning himself an action item. "Where are you going now?"

 

"To Willow."

 

"To… who?" The question carried a dare.

 

Zane held his gaze. "To Willow. The lies have been told. For now let them be truth."

 

"Is that for her or for you?" Miles asked.

Zane didn't answer. He didn't trust the answer, and he didn't owe it.

 

Miles glanced toward the doors, toward the shape of a future already rehearsing itself in a windshield's reflection. "I have to go. Christy will ask what took so long, and thank you," he said. "For not detonating me in there."

 

"This isn't mercy," Zane said. "It's triage."

"And the… arrangement?" Miles asked, voice smaller now. He didn't say pact; he didn't dare give it nouns.

 

"There isn't one," Zane said. "You did what you did. I chose not to compound it in the moment. That's not a contract. It's a pause."

 

Miles nodded. He knew a pause could be a luxury or a threat.

 

They began to move, parallel rather than together, steps unconsciously matching rhythm. At the T-junction, the hall split: one way to the elevators and the night that could be spun into narrative by morning; the other back toward a white room where a woman lay practicing her calm.

 

Miles touched Zane's forearm—an old habit, a thaw from a younger decade. "Don't—" he started, then stopped. The sentence had too many endings.

 

They separated without a handshake, without ceremony. Miles walked toward the elevator and the figure waiting below who believed him brave. He caught his reflection in the brushed steel, adjusted his tie, practiced a face that would not frighten a woman who had decided to love him. The doors sighed open and folded him in.

 

Zane turned the other direction and took the stairs, not for speed but because motion felt honest. On the landing he stopped, pressed his palms to the cool rail, and let himself taste the truth he had refused. It was metallic and clean and humiliatingly simple.

 

He didn't want this to be the doorway. He wanted any other doorway. He wanted a moral geometry that didn't collapse under the weight of want. He wanted it to be real, and that was the problem.

 

He blew out a breath and kept moving.

 

 

 

 

 

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